We The Arts: Civic Season 2023

We The Arts: Civic Engagement Through Art is an ArtsEd4All project taking place from June 17 – July 4, 2023, in celebration of Civic Season 2023.

From Juneteenth to the 4th of July, we invite you to participate in the third annual #CivicSeason through self-guided public art visits in San Francisco, as well as in-person and online events that invite civic engagement through the arts. We’re teaming up with hundreds of history museums and sites across the country through @HistoryMadeByUs, in partnership with the next generation shaping our democracy to launch a new tradition that makes room for all of our stories – and write the next chapter together.

Read the Civic Season Report: The Art of Changemaking for more about ArtsEd4All’s participation in Civic Season 2022.

JUNETEENTH at Healdsburg Jazz

FREE – Saturday, JUNE 17, 2 pm – 8 pm Healdsburg Plaza, Corner of Healdsburg Avenue and Matheson Street, Healdsburg CA.

Healdsburg Jazz Festival kicks off its 25th Anniversary Season with Juneteenth. Enjoy free music and arts & crafts workshops!

Healdsburg Jazz is proud to present a diverse range of music, art, culture and education in honor of this holiday, free to the public in the Healdsburg Plaza. Our Juneteenth performances celebrate the wide range of Black music and art including gospel, early blues, New Orleans jazz, funk, R&B, spoken word, and straight ahead modern swing.

FREE JUNETEENTH Celebration in the Healdsburg Plaza with the Charles McPherson Quintet featuring Terell Stafford, Randy Porter, Akira Tana, and Marcus Shelby, vocalist Martin Luther The Real McCoy, The Robin Hodge Williams Gospel Choir, MJ’s Brass Boppers, Healdsburg Jazz Poet Laureate Enid Pickett and KCSM’s Greg Bridges.

Families and young people are invited to join ArtsEd4All in the plaza to learn more about Juneteenth. Fold a zine, make a flag, pinwheel, fan or decorate your own musical shaker at the art table. This year, the public is also invited to join teaching artist Amelie Anna Hinman for music workshops at 2:30 pm-3:00 pm and 4:30 pm-5:00 pm to play and learn about the origins of a variety of percussion instruments.


Imagining “TOMORROW” with DWeb Camp

The Internet Archive is an American digital library with a mission to provide Universal Access to All Knowledge. DWeb is a global network of builders and dreamers working to create a better, decentralized web. The goal of DWeb Camp is to create a collaborative space for people to connect, learn, share, and have fun as we work towards building a better, decentralized web.


Del Sol Quartet’s DWeb Camp 2022 performance inspired The DWeb is an Ensemble Piece” which uses music as a metaphor for cooperation.

At camp, Del Sol Quartet and composer Erika Oba conducted an open workshop demonstrating the give-and-take process that goes into creating and performing a new musical composition. Erika’s composition, “Behold the Sea,” is inspired by a story of friendship between two artists, Bill Zacha & Japanese artist Toshi Yoshida which resulted in a sister city relationship between Mendocino, California (USA) and Miasa, Nagano (Japan). Continuing the tradition, Erika and the Del Sol Quartet are using music to highlight the importance of building friendships and networks of community in order to protect the water and environment to help build a better world.

Composer Erika Oba invited DWeb campers to make music using stones in the dry bed of the Navarro River.

This plaque, dedicated in a community ceremony held on July 4th, 1982 reads, “The citizens of the sister cities of Mendocino, California and Miasa, Japan dedicate this plaque to the peaceful pursuits of the peoples of the Pacific Basin and to the protection of its environment that all living things there-in may exist in perpetual harmony.”


The Plastic Pollution Coalition’s Global Webinar dives deep into the challenges that plastic pollution poses to our oceans and our bodies.

Register for the global webinar: https://www.plasticpollutioncoalition.org/event/ppc-webinar-062223

FREE on ZOOM – Thursday, JUNE 22, 12-1 pm PT | 3-4 pm ET.

This year at DWeb Camp, we’re tuning into the Plastic Pollution Coalition’s global webinar, Plastic-Free Seas: Diving Into How Plastic Impacts Health, Climate, and Our Oceans, on Thursday, June 22, 12-1 pm PT | 3-4 pm ET. On June 22, we will dive deep into the challenges that plastic pollution poses to our oceans and our bodies, how polluted waters disrupt the “Blue Mind” mental health benefits we gain from access to healthy oceans and waterways, and how we may restore our planet as well as our own physical and mental well-being.

Joining the conversation will be “Her Deepness,” Sylvia Earle, President & Co-Chair of Mission Blue and National Geographic Explorer in Residence; Wallace J Nichols, Marine Biologist & Author of Blue Mind; and Imari Walker-Franklin, PhD, Research Chemist at RTI International & Author of Plastics. The panel will be moderated by Plastic Pollution Coalition CEO & Co-Founder Dianna Cohen.


“Tomorrow is a LARP!

DWeb Camp is using imaginative live action role play to dream of a better internet.

Build new networks and find your flow in Nature.

FREE – Saturday, JUNE 24 (or anytime, anywhere, as you please)

Technologists at DWeb Camp are hosting a LARP Worldbuilding session, using play to imagine how the Internet of Tomorrow might be transformed for the better. A LARP is a a live-action role-playing game in which a group of people enacts a fictional scenario (such as a fantasy adventure) in real time typically under the guidance of a facilitator or organizer.

Here are some ways to play along and join in the DWeb Camp experiment.

UNPLUGTake time out from the Internet and spend time recharging with a walk in nature.
Reflect upon your relationship with technology. Make a list of the ways that technology has changed your your life – for better and for worse.
– What might be different? Are there aspects about your relationship with the Internet that you would like to change? “Think Different” was a slogan created for a 1997 ad campaign for Apple.
LEARNWhat is the Decentralized Web?
What are some important real world challenges that the DWeb aims to address?
Read the DWeb Principles which define the values of a decentralized web based on enabling agency of all peoples and learn about the origins of DWeb Camp
ENGAGEDesign your DWeb Alter Ego (with or without technology!)

“A Place for Poetry” with The Last Hoisan Poets

Anytime, in-person or virtual, FREE exploration of San Francisco public art

Take a poetry tour of the public spaces at the de Young Museum in San Francisco with The Last Hoisan Poets.

Write a poem with The Last Hoisan Poets.

Poets Genny Lim, Nellie Wong, and Flo Oy Wong — trace their roots to China’s Hoisan villages. They conduct special poetry readings in English and Hoisan-wa (a.k.a. the Toisanese/Taishanese Chinese dialect), to pay homage to their mother language which is at risk of fading from collective memory.

A Place for Poetry is a collection of poems by The Last Hoisan Poets inspired by the de Young Museum’s art and architecture. “One Eye” is a community poem begun by The Last Hoisan Poets, inspired by the sculpture of Ruth Asawa. The Last Hoisan Poets welcome poet of all ages and abilities to write a cinquain of their own. Listen to Asawa’s Gift to San Francisco, an audio tour sharing stories from the Asawa family. Take an ASL Tour of the Asawa sculpture installation the de Young Museum docent Jim Brune.

“When you put a seed in the ground, it doesn’t stop growing after eight hours. It keeps going every minute that it’s in the earth. We, too, need to keep growing every moment of every day that we are on this earth.” Ruth Asawa

The book Your Brain on Art by Ivy Ross and Susan Magsamen shares that “neuroarts” is the transdisciplinary study of how the arts and aesthetic experiences measurably change the body, brain, and behavior and how this knowledge is translated into specific practices that advance health and wellbeing. The Aesthetic Mindset Index is based on a research instrument called the Aesthetic Responsiveness Assessment or AReA,developed by Ed Vessel, cognitive neuroscientist and his colleagues at the Max Planck Institute for Empirical Aesthetics in Frankfurt, Germany. The authors invite you to take the short survey, and then take it again in a month or two after you’ve had time to go out in the world and build your aesthetic mindset.

San Francisco is home to one of the largest and most diverse public art collections in the country. All city residents, workers and visitors have access to world-class art in everyday settings. Here are additional resources that will introduce you to some of the most engaging public art that San Francisco has to offer.

This Civic Season, discover your story.

Join 400 cultural and civic institutions across the country for the third annual Civic Season, a new summer tradition for learning and action co-designed with Gen Z, the future inheritors of our democracy. Civic Season unites our oldest federal holiday with our newest, going beyond hot dogs and fireworks to invite meaningful reflection on our country’s past and our role in shaping its future.

Happy World Poetry Day 💗

The Last Hoisan Poets & Friends have been drawing inspiration from the de Young Museum, using poetry to reflect upon the sights and sounds of silence.

Read Poetry inspired by the de Young by the Last Hoisan Poets in the March 16, 2023 Stories article by the Fine Arts Museum of San Francisco.

In conjunction with the March 25th celebration of World Poetry Day with The Last Hoisan Poets & Friends at the de Young, poets of all ages and abilities are invited to write a short poem inspired by the work of two American artists – sculptor Ruth Asawa (1926-2013) and poet Adelaide Crapsey (1878-1915).

We welcome your participation!


Celebrate Women’s History Month 💗

Poetry in Motion: Participate in the creation of a community poem.

In 2005, artist Ruth Asawa donated 15 sculptures to the deYoung museum. 

>>> Listen to Asawa’s Gift to SF, de Young Museum, 2005 on the Ruth Asawa Public Art Tour (3:47)

>>> See the sculpture Installation at the de Young museum

Docent Jim Brune provides an ASL Tour of Ruth Asawa’s Sculpture Installation at the de Young museum (5:26)

Learn more about Ruth Asawa with the de Young museum on Google Arts & Culture.

Write a cinquain inspired by Ruth Asawa’s looped wire sculptures.  

Poet Adelaide Crapsey (1878-1915) is credited with invention of a new poetic form: the American cinquain. Her poems share a similarity with the Japanese tanka, another five-line form, in their focuses on imagery and the natural world. 

“… these poems grew—flowers of a battlefield of the spirit.”

— Verse, Adelaide Crapsey’s first book of poems which includes 28 cinquains, was published posthumously in 1915. 

An American cinquain has five lines and twenty-two-syllables.

Here is an example:

Amaze

by Adelaide Crapsey

I know

Not these my hands

And yet I think there was

A woman like me once had hands

Like these.

Use this form to write your own poem about Ruth Asawa’s art.

Line 1 has two syllables. ____________________________________________________________

Line 2 has four syllables.  ____________________________________________________________

Line 3 has six syllables.  ____________________________________________________________

Line 4 has eight syllables. ____________________________________________________________

Line 5 has two syllables. ____________________________________________________________

If you wish to share your cinquain, please email your contribution to andi@artsed4all.blog. We will loop these short poems together to create a collaborative community poem.

“Generations of Power” United States of Asian America Festival 2022 Performing Arts Showcase

The Asian-Pacific Islander Cultural Center (APICC) proudly presents GENERATIONS OF POWER, a multi-disciplinary showcase featuring The Last Hoisan Poets & Del Sol Quartet (spoken word with live instrumentation), Autonomous Region (jazz fusion), First Voice (story theater), Asian American Dance Performances (contemporary dance), Leela Youth Dance Company (classical North Indian dance), and tashi tamate weiss (movement/ritual).

This FREE, ALL-AGES, OUTDOOR event is part of the 25th annual United States of Asian America Festival (USAAF): Generations of Power. We are proud to host this event at the historic Japantown Peace Plaza as a visual symbol of community resilience and resistance during this period of increased Anti-Asian sentiment.

We The Arts: JUNETEENTH Celebration in Healdsburg

We The Arts: Civic Engagement Through Art is an ArtsEd4All project taking place from June 12 – July 4, 2022, in celebration of Civic Season 2022.

JUNETEENTH Celebration in the Healdsburg Plaza

Juneteenth is the African American celebration of liberation 2 years after the Emancipation Proclamation was signed. Soon after the end of the Civil War, black communities throughout the nation celebrated independence every June 19th with gatherings, delicious food, and of course good music. Healdsburg Jazz is proud to present a diverse range of music, art, culture and education in honor of this holiday, free to the public, in the Healdsburg Plaza.

FREE TO THE PUBLIC

Sunday, JUNE 19, 2022, 11 am – 4 pm,

Healdsburg Plaza, Healdsburg, CA

Healdsburg Jazz Festival 2022

https://healdsburgjazz.org/sunday-june-19/

Juneteenth Celebration in the Healdsburg Plaza with Willie Jones III Quintet, MJ’s Brass Boppers, the Curtis Family C-notes, poets Enid Pickett and Kamau Daáood, KCSM’s Greg Bridges, educational areas, vendors and more.

Presented in partnership with Healdsburg Community Services Department

Make a flag in the arts and crafts area in the plaza.

The Juneteenth Flag, a symbolic representation of the end of slavery in the United States — was created in 1997 by Ben Haith, the founder of the National Juneteenth Celebration Foundation (NJCF). In 2000, artist Lisa Jeanne Graf modified the flag to its present, modern-day design.

Flag Day is celebrated on June 14th.

While flags are everywhere and a part of daily life; most people don’t pause to unlock the rich history and ideas they represent.  With North American Vexillological Association (NAVA) and the community of knowledge it builds, members say “open, sesame” to reveal the wealth of symbols and stories behind flags.

Flags first developed in China, with the advent of silk, and spread across Asia to the Middle East, where crusaders brought them to Europe.  Beginning as markers on the battlefield, their use expanded to identification at sea, denoting who owned, taxed, and protected vessels.  Eventually they became the ultimate icon representing nations, peoples, sub-national and civic entities, organizations, military units, companies, and individuals.  Flag design began with heraldry, then spread its independent wings.  Even before flags, “vexilloids” served as earlier symbols of group affiliation—tribes, armies, clans—and the Romans’ battle standard, the vexillum, gave its name to “vexillology”, the study of flags.

Good Flag, Bad Flag – This 16-page booklet, compiled from the expert input of over 20 different vexillologists world-wide, has become a classic resource for flag design.

African American artists, including Faith Ringgold, Jean-Michel Basquiat, David Hammons and Gordon Parks have used the flag form in their art.

American Gothic, Washington, D.C.” Credit: Photograph by Gordon Parks.

FREE On Demand Online Film Screening

A Choice of Weapons: Inspired by Gordon Parks

A Choice of Weapons: Inspired by Gordon Parks explores the power of images in advancing racial, economic, and social equality as seen through the lens of Gordon Parks, one of America’s most trailblazing artists, and the generation of young photographers, filmmakers, and activists he inspired.

A Choice of Weapons: Inspired by Gordon Parks is a co-production of Kunhardt Films and HBO. Film for this screening provided by Kunhardt Film Foundation.

This film screening is presented by ArtsEd4All, in conjunction with this year’s #CivicSeason (from Juneteenth to July 4th). Please RSVP to receive a link and password enabling FREE unlimited access to the film via the virtual screening room from Monday, June 12, 2022 at 12:01 AM PST to Tuesday, July 4, 2022, 11:59 PM PST.

Juneteenth: A Celebration of Resilience

Juneteenth is a time to gather as a family, reflect on the past and look to the future. Discover ways to celebrate this African American cultural tradition of music, food and freedom.

Learn more about the historical legacy of Juneteenth and explore more objects related to emancipation in the National Museum of African American History & Culture’s collections. https://nmaahc.si.edu/juneteenth

The Emancipation Proclamation

Transcript of the Proclamation, January 1, 1863. By the President of the United States of America. https://www.archives.gov/exhibits/featured-documents/emancipation-proclamation/transcript.html

‘What To The Slave Is The Fourth Of July?’: Descendants Read Frederick Douglass’ Speech | NPR

In the summer of 2020, the U.S. commemorated Independence Day amid nationwide protests for racial justice and systemic reforms in the wake of George Floyd’s death. That June, we asked five young descendants of Frederick Douglass to read and respond to excerpts of his famous speech, “What to the Slave is the Fourth of July?”. It’s a powerful, historical text that reminds us of the ongoing work of liberation.

FEATURING (alphabetically) Douglass Washington Morris II, 20 (he/him) Isidore Dharma Douglass Skinner, 15 (they/their) Zoë Douglass Skinner, 12 (she/her) Alexa Anne Watson, 19 (she/her) Haley Rose Watson, 17 (she/her)

A text version of the full speech is available here.

In Pursuit of a More Perfect Union

Each year on Martin Luther King Day of Service, ArtsEd4All officially launches the Blake Mini Library Book Drive. Founded in December 2013 by then six-year old Blake Ansari in New York City, Blake Mini Library supports the reading, writing and science literacy of children ages birth to 21 living in homes for runaways, homeless shelters and foster care. Here on the West Coast in San Francisco, we’ve shared our love of books and reading with the children and families at the Hamilton Families shelter in the Tenderloin since 2016.

In 2022, we are pleased to kick off the 7th Annual Blake Mini Library Book Drive with a special online film screening of OBAMA: In Pursuit of a More Perfect Union. This three-part documentary chronicling the personal and political journey of President Barack Obama is available to registered viewers via View on Demand. Please RSVP on Eventbrite to receive a link and password enabling FREE unlimited access to our virtual screening room from Martin Luther King Jr. Day of Service through Presidents’ Day — Monday, January 17, 2022 at 12 noon PST to Tuesday, February 22, 2022, 12 noon PST.

The New 3Rs

It is especially exciting to present this film in partnership with The New 3Rs, an educational program that uses stories of social justice to dismantle racism. The New 3Rs educates and empowers through the art of social justice storytelling, building relationships, and fostering a sense of responsibility. By offering programs and resources, the organization educates and empowers children, parents, educators, and workplace leaders through a lens of racial justice and racial awareness.

“The New 3RS is a diverse group. We listen to each other’s stories. We talk about the great things Black people gave the world and racial topics that usually are not taught in school. The New 3Rs gives me hope and strength. And for that, I am grateful!”

— Donovan, age 13

Learn more about The New 3Rs at https://thenew3rs.org/

Students of The New 3Rs, including Blake Mini Library founder Blake Ansari, plan to participate by viewing the film. The students will select a racial inequity issue from The New 3Rs curriculum and envision how they or their nation can become a more perfect union in areas such as education, health, environment, and other topics of concern? The New 3Rs will create A More Perfect Union Anthology that will share student essays and art which they will send to Congressional Black Caucus and President Biden in late spring.

Download The New 3Rs 2019-2020 Student Anthology HERE.

Take Action: My School Votes!

When We All Vote is a leading national, nonpartisan initiative on a mission to change the culture around voting and to increase participation in each and every election by helping to close the race and age gap. Created by Michelle Obama, When We All Vote brings together individuals, institutions, brands, and organizations to register new voters across the country and advance civic education for the entire family and voters of every age to build an informed and engaged electorate for today and generations to come. https://whenweallvote.org/

My School Votes is an action-oriented civics program where students learn by doing, to build student leadership, advocate for local issues, create exceptional voter registration campaigns, and together, launch young people into cycles of life-long civic engagement.

Geared towards children in Kindergarten through 5th, Parent Read Alouds feature Michelle Obama, WWAV co-chairs, and parents from around the country reading civics themed children’s literature paired with tangible learning opportunities for parents to engage in with their children.

“Change only happens when ordinary people get involved” – @BarackObama.

Find resources and tools here: bit.ly/ObamaSeriesTakeAction


ArtsEd4All invites young artists to design a one-word poster reminding grown ups of the importance of voting. The poster criteria: The one word, VOTE, should be big, clear and visible. The rest, images & media, size is up to you. Parents can share photos of poster art (no faces, hands only please) and credit the artists with first name & last initial, age & city of residence.


Fill Yourself with Hope

President Obama and daughter Malia and Sasha watch Michelle Obama deliver her speech to the Democratic National Convention from the White House Treaty Room, September 4, 2012 (Courtesy Barack Obama Presidential Library)

Each year, former President Barack Obama releases a list of favorite books, music and films, and we enjoy doing the same! We hope that you will enjoy our recommended reading list compiled for this year’s 2022 Blake Mini Library book drive.

“The best way to not feel hopeless is to get up and do something. Don’t wait for good things to happen to you.  If you go out and make some good things happen, you will fill the world with hope, you will fill yourself with hope.” 

― Barack Obama

Angel Island Insight #5: Christine Huhn

ANGEL ISLAND IN SIGHT 2021 is a visual storytelling project focused on Angel Island — a collective portrait of Angel Island drawn from a multitude of views — near and far, past and present. Del Sol Performing Arts Organization’s ANGEL ISLAND INSIGHT explores the history of the Angel Island Immigration Station by offering a suite of virtual and in-person programs that examines the musicality of the disappearing Hoisan-wa dialect by The Last Hoisan Poets and The Del Sol Quartet. public engagement with Del Sol Quartet & Huang Ruo’s Angel Island – Oratorio for Voices and Strings.

Christine Huhn. Native Oak Limbs near Sunrise Campsites, 2021. Silver Gelatin Print. 16″ x 20″

When Andi approached me about the Angel Island Insight Project, I thought this would just be a great opportunity to visit a California State Park I had never been to. On my first visit to the Island, I was immediately drawn to the natural dichotomy within the landscape. The native oak and invasive eucalyptus trees subtly reflect the dichotomy of the treatment of the European and Chinese immigrants that came through the Island. The vegetation and structural ruins encompassing the Island visually represent the varied history and time passed through the landscape. Angel Island has become a deep inspiration to me and my work. When I spoke with friends about the project, some had never been to the Island including many SF natives. I have always been most interested to visit lesser known landscapes, as I hope my work highlights and informs the public of these beautiful and historically rich places.

Christine Huhn, preservation photographer, www.christinehuhn.com


Christine Huhn by Micaela Go

CHRISTINE HUHN (b. 1984) is a visual artist and cultural heritage professional who grew up in northeastern Pennsylvania, less than five miles from the Delaware Water Gap National Recreation Area. This connection to the landscape has deeply influenced her work, which focuses on preserving cultural landscapes through film photography and historic photographic processes. She received her bachelor of fine arts in photography from the State University of New York at New Paltz and her master of arts in historic preservation from Savannah College of Art and Design where she was awarded a SCAD Honors Scholarship and inducted into Sigma Pi Kappa: National Historic Preservation Honors Society.

In 2021, Christine exhibited her work Can We See Time at the Napa County Library in Napa, CA. Her work has been selected for several group exhibitions nationally, most notably at the Wildling Museum of Art and Nature, New Museum Los Gatos, and The Center for Fine Art Photography. Over the past ten years, Christine has volunteered at many non-profit organizations including; the National Park Service, the Landmarks Association of St. Louis, Baltimore Heritage, and the Historic Preservation Office (Washington, DC). She has been awarded artist residencies at Dorland Mountain Arts Colony, Mojave National Preserve Artists Foundation, and Kala Art Institute. Christine currently lives in San Francisco, CA. 

Photo: Christine at Land’s End by MICAELA GO, http://www.micaelago.com/

This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit http://www.calhum.org

Any views, findings, conclusions, or recommendations expressed in this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.

ANGEL ISLAND: IN SIGHT 2021 at the Angel Island Immigration Station is made possible with support from North East Medical Services (NEMS). https://www.nems.org/

Angel Island Insight #4: Imogen Cunningham

ANGEL ISLAND IN SIGHT 2021 is a visual storytelling project focused on Angel Island — a collective portrait of Angel Island drawn from a multitude of views — near and far, past and present. Del Sol Performing Arts Organization’s ANGEL ISLAND INSIGHT explores the history of the Angel Island Immigration Station by offering a suite of virtual and in-person programs that examines the musicality of the disappearing Hoisan-wa dialect by The Last Hoisan Poets and The Del Sol Quartet. public engagement with Del Sol Quartet & Huang Ruo’s Angel Island – Oratorio for Voices and Strings.


“The formula for doing a good job in photography is to think like a poet”

— Imogen Cunningham


IMOGEN CUNNINGHAM (April 12, 1883 – June 23, 1976) was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, known for its dedication to the sharp-focus rendition of simple subjects.

“Angel Island, 1952” by Imogen Cunningham depicts a young man at the San Francisco ferry landing.

Imogen Cunningham. Angel Island, 1952. © 2021 Imogen Cunningham Trust

When we wrote to the Cunningham Estate to request permission to share this photo, we enjoyed the exchange with her granddaughter Meg Partridge. Meg spoke of Imogen’s friendship with photographer Benjamen Chinn, a relation to Lenore Chinn.

Meg also fondly recalled her grandmother Imogen’s special relationship with artist Ruth Asawa.

As the Asawa family notes on their website, “Beginning in the 1950s and until she died in 1976, Imogen Cunningham was a close personal friend. Many of Imogen’s photographs document Ruth’s early work and family life.”

When artist LILLI LANIER shared a lithograph that she made in college of her great grandmother Haru Asawa, drawn from a photograph taken by Imogen in 1966, we were delighted. Haru Yasuda came through Angel Island when she immigrated to the United States to marry Umakichi Asawa.

It is a special pleasure to link generations of artists through this special project.

Lilli Lanier. Haru (after Haru Asawa, 1966, by Imogen Cunningham). Lithograph on paper. 2006.

This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit http://www.calhum.org

Any views, findings, conclusions, or recommendations expressed in this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.

ANGEL ISLAND: IN SIGHT 2021 at the Angel Island Immigration Station is made possible with support from North East Medical Services (NEMS). https://www.nems.org/

Angel Island Insight #3: Lenore Chinn

ANGEL ISLAND IN SIGHT 2021 is a visual storytelling project focused on Angel Island — a collective portrait of Angel Island drawn from a multitude of views — near and far, past and present. Del Sol Performing Arts Organization’s ANGEL ISLAND INSIGHT explores the history of the Angel Island Immigration Station by offering a suite of virtual and in-person programs that examines the musicality of the disappearing Hoisan-wa dialect by The Last Hoisan Poets and The Del Sol Quartet. public engagement with Del Sol Quartet & Huang Ruo’s Angel Island – Oratorio for Voices and Strings.

Photo: Lenore Chinn. Angel Island Immigration Station Dedication Ceremony for The Immigrant Heritage Wall. July 23, 2011. 
Photo: Lenore Chinn. Angel Island Immigration Station Dedication Ceremony for The Immigrant Heritage Wall. July 23, 2011. 

“Quite a few years ago I was with Flo Oy Wong and family during a 2000 opening of her art exhibit, made in usa: Angel Island Shhh at the Angel Island Immigration Station.

I couldn’t find any image files from that far back. But today I came across a set I had taken years later on the occasion of a dedication there on July 23, 2011. Again, I was there with Flo and family and quite a few notables from our Chinese American community, like Buck Gee, Board President of AIISF, musician Frances Wong and photographer Frank Jang. Historian Judy Yung, who died last month, was in attendance.”

— Lenore Chinn, January 17, 2021


Lenore Chinn
by Mia Nakano, ©Visibility Project. https://www.visibilityproject.org/

LENORE CHINN

I am a San Francisco based artist who focuses on the depiction of a wide spectrum of people in all their diversity and color.

Portraiture is at the core of my visual art practice whether it is painting or photography – both are employed in my creative process.

A moment in time spontaneously captured by my digital bridge camera, transmitted to acrylic on canvas, conveyed in modern archival print or Shared on Facebook, these images document everyday life.

As a body of work they are visual narratives that constitute an art history largely hidden from the public’s perception of society and our particular collective experience.

My focus as a photographer is capturing images and documenting cultural landscapes from a painter’s point of view.

This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit http://www.calhum.org

Any views, findings, conclusions, or recommendations expressed in this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.

ANGEL ISLAND: IN SIGHT 2021 at the Angel Island Immigration Station is made possible with support from North East Medical Services (NEMS). https://www.nems.org/

Angel Island Insight #1 : AIISF & Del Sol Quartet

ANGEL ISLAND IN SIGHT 2021 is a visual storytelling project focused on Angel Island — a collective portrait of Angel Island drawn from a multitude of views — near and far, past and present. Del Sol Performing Arts Organization’s ANGEL ISLAND INSIGHT explores the history of the Angel Island Immigration Station by offering a suite of virtual and in-person programs that examines the musicality of the disappearing Hoisan-wa dialect by The Last Hoisan Poets and The Del Sol Quartet. public engagement with Del Sol Quartet & Huang Ruo’s Angel Island – Oratorio for Voices and Strings.


“While there are inscriptions by immigrants from many different nations that can still be found on the walls of the detention barracks, it’s the 200+ poems left behind by Chinese detainees that helped to save the site’s buildings from being torn down and that secured the site’s status as both a California Historic Landmark and a National Historic Landmark. These poems give us a glimpse into the emotions and experiences of immigrants who were held in detention then.”

Edward Tepporn, Executive Director, Angel Island Immigration Station Foundation


Photo: Edward Tepporn. Angel Island Chinese Monument. July 20, 2019.

ANGEL ISLAND IMMIGRATION STATION FOUNDATION (AIISF) raises awareness of the experience of Immigration into America through the Pacific. AIISF collects and preserves the rich stories and personal journeys of thousands of immigrants and shares them with visitors and everyone living in America through education initiatives and public programs. The Angel Island Immigration Station reminds us of the complicated history of immigration in America. It serves as a symbol of our willingness to learn from our past to ensure that our nation keeps its promise of liberty and freedom.

Photo: Russell Nauman. Return to Angel Island – Calvin Ong (Ong Doon). June 26, 2021.

In 1937, ten-year-old Calvin Ong (Ong Doon) was detained on Angel Island by immigration officials on his way into the country. Eighty-four years later—on June 26, 2021—Calvin returned to the U.S. Immigration Station with his family. He briefly spoke about his time as a detainee, and a hospital patient, on Angel Island. 

In this photo, Calvin was looking out the window of the former immigration hospital when he noticed the hillside below. He could remember sitting on the hill and watching the ferry arrive with new immigrants each day. Later, we went outside so Calvin could look out over the water with his children and grandchildren.

— Russell Nauman, Operations Manager, Angel Island Immigration Station Foundation


THE DEL SOL QUARTET revels in the risk of constantly reimagining the string quartet, building community around art, artistic process, our environment and our culture. Supported by the nonprofit Del Sol Performing Arts Organization (DSPAO), the Del Sol Quartet shares living music with an ever-growing community of adventurous listeners.

Committed to advancing art’s place in society and providing access to a diverse range of audience, the Quartet focuses on commissioning and performing new works, forming unusual and provocative collaborations, and sharing its work globally through recording and education projects.

THE ANGEL ISLAND ORATORIO PROJECT fits squarely into Del Sol’s tradition of adventurous collaborations between artists and community organizations to create new work with a lasting place in the repertoire and to broaden audiences. These goals are integrally connected to shared experiences and socially-relevant themes. The oratorio provides a new way of examining immigration and the clash between governmental policies and national ideals — relevant both to our history and our current political climate. The work also reflects our individual values of what it means to be American, the stories of how we got here, and the history of our city and state.

Photo: Kathryn Bates, View on Island. 2021.
Photo: Edward Tepporn. Angel Island Immigration Station Barracks. July 20, 2019.
Photo: Kathryn Bates. View of Island. March 13, 2021.
Photo: Kathryn Bates. View from Island. March 13, 2021.
Photo: Edward Tepporn. Hope. Angel Island. June 16, 2019.

This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit http://www.calhum.org

Any views, findings, conclusions, or recommendations expressed in this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.

ANGEL ISLAND: IN SIGHT 2021 at the Angel Island Immigration Station is made possible with support from North East Medical Services (NEMS). https://www.nems.org/

USAAF 2021: Angel Island Insight

Del Sol Performing Arts Organization’s ANGEL ISLAND INSIGHT explores the history of the Angel Island Immigration Station by offering a suite of virtual and in-person programs examining the musicality of the disappearing Hoisan-wa dialect by The Last Hoisan Poets and Del Sol Quartet.

These presentations expand public engagement with composer Huang Ruo’s Angel Island – Oratorio for Voices and Strings. World premiere performance with Del Sol Quartet and Volti, directed by Robert Geary on October 22 2021, 8pm at the Presidio Theatre in San Francisco, with performances on Angel Island on Saturday, October 23, 2021, pending safety restrictions.

“As an Asian American artist, this opportunity to showcase a history that has both a direct connection to my ethnicity as well as a global connection is incredibly empowering.”

– Charlton Lee, Del Sol’s founder & Artistic Director

Asian Pacific Islander Cultural Center’s United States of Asian American Festival 2021 presents ANGEL ISLAND INSIGHT with The Last Hoisan Poets & Del Sol Quartet

The Last Hoisan Poets & Del Sol Quartet

In a journey that flows from anger and sorrow, using gratitude as a way to find joy, this Zoom program weaves together their poetry with performances by the Del Sol Quartet, music by Asian-American composers Kui Dong, Theresa Wong, Jungyoon Wie, Huang Ruo, and a collaborative composition performed by The Last Hoisan Poets with the Del Sol Quartet. Artist Q&A moderated by Angel Island Immigration Station Foundation’s executive director Edward Tepporn.

Online program held via Zoom on Saturday, May 22, 2021, 2pm.

Three descendants of Angel Island immigrants, The Last Hoisan Poets – Genny Lim, Flo Oy Wong and Nellie Wong – use poetry to speak their individual truths and creatively reclaim the Hoisan-wa language and culture, with performances by the Del Sol Quartet, music by Asian-American composers.

Recording of 5/22/21 APIIC USAAF presents: ANGEL ISLAND INSIGHT with The Last Hoisan Poets and Del Sol Quartet

APICC USAAF 2021 Digital Program

Haw Meong Suey (Good Life’s Water)

This collaborative poem written by poets Nellie Wong, Flo Oy Wong, and Genny Lim, was performed with accompaniment by the Del Sol Quartet on Saturday May 22, 2021 for the United States of Asian America Festival 2021, presented by the Asian Pacific Islander Cultural Center. “Haw meong suey” is a Hoisan-wa phrase that translates as “good life’s water.” A person who has “haw meong suey” is a vessel of blessings.

For more information, please visit https://www.delsolquartet.com/angelislandinsight


This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit www.calhum.org