HEALDSBURG JAZZ is proud to present a FREE family concert titled “Dr. Martin Luther King Jr.: Through the Eyes of Children” on the birthdate of Dr. Martin Luther King Jr., Friday, January 15 at 7-8 pm PST and again on Saturday, January 16 at 12-1 pm PST.
The concert is a 1-hour music and spoken word performance inspired by and dedicated to the legacy of Dr. Martin Luther King Jr. and the music of the Civil Rights Movement, presented in collaboration with Stanford‘s King Research & Education Institute, led by Professor Clayborne Carson who was selected in 1985 by Coretta Scott King to edit and publish the papers of her late husband.
Artistic Director of Healdsburg Jazz Festival Marcus Shelby has put together a wonderful lineup of performers for the virtual program — vocalists Kim Nalley and Tiffany Austin, Tammy Hall on piano, Genius Wesley on drums, with Healdsburg Jazz Poet Laureate Enid Pickett and youth poet Selma Arapa. “Dr. Martin Luther King Jr.: Through the Eyes of Children” was filmed at The Sound Room in Oakland, CA, directed by filmmaker Kevin Johnson.
Visit the Healdsburg Jazz Festival website to register for the concert:
For Educators, Families, Students: Healdsburg Jazz has also created free downloadable resources, including an independent study guide and fact sheet, a timeline, a playlist of songs, a playlist of speeches, and suggested books and poems about Dr. Martin Luther King Jr. and the music of the Civil Rights era.
Dr. Martin Luther King, Jr. on The Soul of The Movement
“An important part of the mass meetings was the freedom songs. In a sense the freedom songs are THE SOUL OF THE MOVEMENT.
They are more than just incantations of clever phrases designed to invigorate a campaign; they are as old as the history of the Negro in America. They are adaptations of songs the slaves sang-the sorrow songs, the shouts for joy, the battle hymns, and the anthems of our movement. I have heard people talk of their beat and rhythm, but we in the movement are as inspired by their words. “Woke Up This Morning with My Mind Stayed on Freedom” is a sentence that needs no music to make its point. We sing the freedom songs for the same reason the slaves sang them, because we too are in bondage and the songs add hope to our determination that “We shall overcome, Black and white together, we shall overcome someday.” These songs bound us together, gave us courage together, helped us march together. We could walk toward any Gestapo force. We had cosmic companionship, for we were singing, “Come By Me, Lord, Come By Me.”
With this music, a rich heritage from our ancestors who had the stamina and the moral fiber to be able to find beauty in broken fragments of music, whose illiterate minds were able to compose eloquently simple expressions of faith and hope and idealism, we can articulate our deepest groans and passionate yearnings-and end always on a note of hope that God is going to help us work it out, right here in the South where evil stalks the life of a Negro from the time he is placed in his cradle. Through this music, the Negro is able to dip down into wells of a deeply pessimistic situation and danger-fraught circumstances and to bring forth a marvelous, sparkling, fluid optimism. He knows it is still dark in his world, but somehow, he finds a ray of light.”
— from The Autobiography of Martin Luther King, Jr. by CLAYBORNE CARSON.
“FIGURES OF DISCORD SPRING FROM SOUL, reminding us that neither artist nor citizen nor believer ought ever concede their truth in the face of rule or custom…
Ralph Ellison famously claimed for Black music power to curve mind and sense, helping the willing listener to see around corners. Jim Crow, Klan violence, government vacillation and the persistence of war and poverty successively placed hard-angled obstacles before the Movement, demanding an arc of vision that called upon the utmost of imagination and love. The genius of Marcus Shelby, composer, performer, student and citizen, is to teach through artistry, so that we might bend our own sight, and make the worlds we seek to live for.”
— DR. ADAM GREEN, University of Chicago on Marcus Shelby’s Soul of The Movement (2011)
Soul of the Movement: Meditations on Dr. Martin Luther King Jr. is a 12 part musical suite that honors the legacy of the Civil Rights Movement led by Dr. Martin Luther King Jr. and many others who marched and protested for freedom. After 3 years of research, artist residencies, and traveling throughout the south Marcus Shelby composed and orchestrated the music for “Soul of the Movement” for his 15 piece big band orchestra with guest vocalists Faye Carol, Kenny Washington, and Jeannine Anderson and guest instrumentalists Howard Wiley (soprano and tenor sax), Matt Clark (B3 Organ), and Sistah Kee (piano). Soul of the Movement was released in 2011 and has become part of school presentations in and around the San Francisco Bay Area on an annual basis.