artsed4all Arts Education, Community, Film, Music, poetry, Visual Arts

“Drawn From Life: The Creative Legacy of Flo Oy Wong” @ SVAPFF 2023

Contemporary Asian Theatre Scene (CATS) is excited to present the 9th Annual Silicon Valley Asian Pacific Film Festival (SVAPFF), which begins today! 

CATS has curated 6 highly-anticipated feature films, documentaries and shorts for the in-person screenings at the Sunnyvale AMC Dine-In Theatre on October 20-22, along with 70+ films to view online (on-demand from October 20-29) — a wide variety of films that will make you laugh, cry, and even learn more about AAPI cultures.

Announcing the premiere screening of “Drawn from Life: The Creative Legacy of Flo Oy Wong” at SVAPFF 2023!

“Drawn from Life: The Creative Legacy of Flo Oy Wong” is our first professionally produced film, and what an amazing journey it has been! We are grateful for the invaluable support provided by CATS and SVAPFF to create this special gift in celebration of Flo Oy Wong’s 85th birthday. We are so excited to see our short film on the big screen!

Sunday’s Local Legends Film Program is now sold out, but you can still watch Drawn From Life: The Creative Legacy of Flo Oy Wong and Sunday’s fantastic line up of short films through the SVAPFF 2023 “Celebrating Communities and Discovering Untold Stories” digital package.

Watch SVAPFF 2023 online – “Celebrating Communities and Discovering Untold Stories” – 15 Short Films for $7!

GET YOUR SVAPFF 2023 ONLINE FILM PASS HERE

As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s, FLO OY WONG was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five, her life comes full circle when The Community Rejuvenation Project proposes to paint a mural at 723 Webster, the former site of her family’s restaurant, The Great China. Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.

We’d like to thank the many people whose contributions helped to bring this short film to light.

Thanks to generous support from Contemporary Asian Theatre Scene, AARP, and Friends of CATS, we have been able to document Flo’s involvement in the 723 Webster Mural Project. We are so excited to share Drawn from Life: The Creative Legacy of Flo Oy Wong with audiences at SVAPFF 2023 and beyond. Whether you made a donation to CATS, bought a ticket to the October 22 screening, or told a friend about the film, we are grateful for your support.

Thank you to William Wong and Nellie Wong, for sharing their insights on their sister’s “fighting spirit” and to Diana Argabrite, Director of the Euphrat Museum of Art for shining a light on Flo’s artistic legacy. We are most grateful to Ed Wong for his dedicated efforts to record and preserve Flo’s artwork over the years. What a truly wonderful moment it was when Ed found the set of archival slides documenting Flo’s Oakland Chinatown drawings, created between 1938 – 1991.

A mural-sized thank you to the 723 Webster Mural Project team: Muralist Desi Mundo of the Community Rejuvenation Project, Roy Chan, Director of the Oakland Chinatown Oral History Project, Denise Chinn of 723 Webster Street and Jack Chen, owner of Imperial Soup in Oakland’s Chinatown. Their collaborative initiative on behalf of Oakland Chinatown is so inspiring! Please support Oakland Chinatown’s Legacy Businesses!

A deep bow of respect for the many artists who supported this project by generously sharing their creative contributions and light – Thanks to multimedia journalist Juan Carlos Guerrero; filmmaker/director Allie Light; musicians Kenneth Nash, Del Sol Quartet, and Marcus Shelby, who celebrated Flo’s 75th birthday with Gwah Gai: Crossing the Street in 2013 and crosses the street once again with his musical contribution in 2023!

A giant tip of the cap to our Director of Photography and Editor Chris Wong for his keen eye and steady camera! A big hug of forever gratitude to Leianne Wong Lamb for her encouragement and guidance throughout the entire film-making process.

We hope that this film conveys our collective love and respect for our dear friend Flo Oy Wong, who continues to have the courage to follow her creative impulses and the tenacity to realize her dreams. Through her art and poetry, Flo attends to the beauty in the every day; she finds dignity in the details. How lovely to behold Oakland Chinatown – past, present and future – through her eyes.

Happy 85th Birthday, Flo! See you at the movies!

For more about the film, visit: https://flooywong.ddns.net/flo-oy-wong-film/

artsed4all Art & the Environment, Arts Education, Community, Family Art Workshop, Music, poetry, Technology, Visual Arts

We The Arts: Civic Season 2023

We The Arts: Civic Engagement Through Art is an ArtsEd4All project taking place from June 17 – July 4, 2023, in celebration of Civic Season 2023.

From Juneteenth to the 4th of July, we invite you to participate in the third annual #CivicSeason through self-guided public art visits in San Francisco, as well as in-person and online events that invite civic engagement through the arts. We’re teaming up with hundreds of history museums and sites across the country through @HistoryMadeByUs, in partnership with the next generation shaping our democracy to launch a new tradition that makes room for all of our stories – and write the next chapter together.

Read the Civic Season Report: The Art of Changemaking for more about ArtsEd4All’s participation in Civic Season 2022.

JUNETEENTH at Healdsburg Jazz

FREE – Saturday, JUNE 17, 2 pm – 8 pm Healdsburg Plaza, Corner of Healdsburg Avenue and Matheson Street, Healdsburg CA.

Healdsburg Jazz Festival kicks off its 25th Anniversary Season with Juneteenth. Enjoy free music and arts & crafts workshops!

Healdsburg Jazz is proud to present a diverse range of music, art, culture and education in honor of this holiday, free to the public in the Healdsburg Plaza. Our Juneteenth performances celebrate the wide range of Black music and art including gospel, early blues, New Orleans jazz, funk, R&B, spoken word, and straight ahead modern swing.

FREE JUNETEENTH Celebration in the Healdsburg Plaza with the Charles McPherson Quintet featuring Terell Stafford, Randy Porter, Akira Tana, and Marcus Shelby, vocalist Martin Luther The Real McCoy, The Robin Hodge Williams Gospel Choir, MJ’s Brass Boppers, Healdsburg Jazz Poet Laureate Enid Pickett and KCSM’s Greg Bridges.

Educational Activities – Families and young people are invited to join ArtsEd4All in the plaza to learn more about Juneteenth and check out the exhibit celebrating 25 years of Healdsburg Jazz Festival. Fold a zine, make a flag, pinwheel, fan or decorate your own musical shaker at the art table. This year, the public is also invited to join teaching artist Amelie Anna Hinman for music workshops at 2:30 pm-3:00 pm and 4:30 pm-5:00 pm to play and learn about the origins of a variety of percussion instruments.

Imagining “TOMORROW” with DWeb Camp

The Internet Archive is an American digital library with a mission to provide Universal Access to All Knowledge. DWeb is a global network of builders and dreamers working to create a better, decentralized web. The goal of DWeb Camp is to create a collaborative space for people to connect, learn, share, and have fun as we work towards building a better, decentralized web.

Del Sol Quartet’s DWeb Camp 2022 performance inspired The DWeb is an Ensemble Piece” which uses music as a metaphor for cooperation.

At camp, Del Sol Quartet and composer Erika Oba conducted an open workshop demonstrating the give-and-take process that goes into creating and performing a new musical composition. Erika’s composition, “Behold the Sea,” is inspired by a story of friendship between two artists, Bill Zacha & Japanese artist Toshi Yoshida which resulted in a sister city relationship between Mendocino, California (USA) and Miasa, Nagano (Japan). Continuing the tradition, Erika and the Del Sol Quartet are using music to highlight the importance of building friendships and networks of community in order to protect the water and environment to help build a better world.

Composer Erika Oba invited DWeb campers to make music using stones in the dry bed of the Navarro River.

This plaque, dedicated in a community ceremony held on July 4th, 1982 reads, “The citizens of the sister cities of Mendocino, California and Miasa, Japan dedicate this plaque to the peaceful pursuits of the peoples of the Pacific Basin and to the protection of its environment that all living things there-in may exist in perpetual harmony.”

The Plastic Pollution Coalition’s Global Webinar dives deep into the challenges that plastic pollution poses to our oceans and our bodies.

Register for the global webinar: https://www.plasticpollutioncoalition.org/event/ppc-webinar-062223

FREE on ZOOM – Thursday, JUNE 22, 12-1 pm PT | 3-4 pm ET.

This year at DWeb Camp, we’re tuning into the Plastic Pollution Coalition’s global webinar, Plastic-Free Seas: Diving Into How Plastic Impacts Health, Climate, and Our Oceans, on Thursday, June 22, 12-1 pm PT | 3-4 pm ET. On June 22, we will dive deep into the challenges that plastic pollution poses to our oceans and our bodies, how polluted waters disrupt the “Blue Mind” mental health benefits we gain from access to healthy oceans and waterways, and how we may restore our planet as well as our own physical and mental well-being.

Joining the conversation will be “Her Deepness,” Sylvia Earle, President & Co-Chair of Mission Blue and National Geographic Explorer in Residence; Wallace J Nichols, Marine Biologist & Author of Blue Mind; and Imari Walker-Franklin, PhD, Research Chemist at RTI International & Author of Plastics. The panel will be moderated by Plastic Pollution Coalition CEO & Co-Founder Dianna Cohen.

“Tomorrow” is a LARP!

DWeb Camp is using imaginative live action role play to dream of a better internet.

Build new networks and find your flow in Nature.

FREE – Saturday, JUNE 24 (or anytime, anywhere, as you please)

Technologists at DWeb Camp are hosting a LARP Worldbuilding session, using play to imagine how the Internet of Tomorrow might be transformed for the better. A LARP is a a live-action role-playing game in which a group of people enacts a fictional scenario (such as a fantasy adventure) in real time typically under the guidance of a facilitator or organizer.

Here are some ways to play along and join in the DWeb Camp experiment.

UNPLUG– Take time out from the Internet and spend time recharging with a walk in nature.
– Reflect upon your relationship with technology. Make a list of the ways that technology has changed your your life – for better and for worse.
– What might be different? Are there aspects about your relationship with the Internet that you would like to change? “Think Different” was a slogan created for a 1997 ad campaign for Apple.
LEARN– What is the Decentralized Web?
– What are some important real world challenges that the DWeb aims to address?
– Read the DWeb Principles which define the values of a decentralized web based on enabling agency of all peoples and learn about the origins of DWeb Camp
ENGAGE– Design your DWeb Alter Ego (with or without technology!)

“A Place for Poetry” with The Last Hoisan Poets

Anytime, in-person or virtual, FREE exploration of San Francisco public art

Take a poetry tour of the public spaces at the de Young Museum in San Francisco with The Last Hoisan Poets.

Write a poem with The Last Hoisan Poets.

Poets Genny Lim, Nellie Wong, and Flo Oy Wong — trace their roots to China’s Hoisan villages. They conduct special poetry readings in English and Hoisan-wa (a.k.a. the Toisanese/Taishanese Chinese dialect), to pay homage to their mother language which is at risk of fading from collective memory.

A Place for Poetry is a collection of poems by The Last Hoisan Poets inspired by the de Young Museum’s art and architecture. “One Eye” is a community poem begun by The Last Hoisan Poets, inspired by the sculpture of Ruth Asawa. The Last Hoisan Poets welcome poet of all ages and abilities to write a cinquain of their own. Listen to Asawa’s Gift to San Francisco, an audio tour sharing stories from the Asawa family. Take an ASL Tour of the Asawa sculpture installation the de Young Museum docent Jim Brune.

“When you put a seed in the ground, it doesn’t stop growing after eight hours. It keeps going every minute that it’s in the earth. We, too, need to keep growing every moment of every day that we are on this earth.” — Ruth Asawa

The book Your Brain on Art by Ivy Ross and Susan Magsamen shares that “neuroarts” is the transdisciplinary study of how the arts and aesthetic experiences measurably change the body, brain, and behavior and how this knowledge is translated into specific practices that advance health and wellbeing. The Aesthetic Mindset Index is based on a research instrument called the Aesthetic Responsiveness Assessment or AReA,developed by Ed Vessel, cognitive neuroscientist and his colleagues at the Max Planck Institute for Empirical Aesthetics in Frankfurt, Germany. The authors invite you to take the short survey, and then take it again in a month or two after you’ve had time to go out in the world and build your aesthetic mindset.

San Francisco is home to one of the largest and most diverse public art collections in the country. All city residents, workers and visitors have access to world-class art in everyday settings. Here are additional resources that will introduce you to some of the most engaging public art that San Francisco has to offer.

This Civic Season, discover your story.

Join 400 cultural and civic institutions across the country for the third annual Civic Season, a new summer tradition for learning and action co-designed with Gen Z, the future inheritors of our democracy. Civic Season unites our oldest federal holiday with our newest, going beyond hot dogs and fireworks to invite meaningful reflection on our country’s past and our role in shaping its future.

artsed4all Literary Arts, Music

Cupertino Poet Laureate Presents Saturday Poetry Penpals: A Hoisan-Wa Talk Story

Program Welcome & Introductions – JING JING YANG, Cupertino Poet Laureate

An Introduction to Hoisan-Wa – GENEVIEVE LEUNG, Associate Professor, USF

A HOISAN-WA “TALK STORY”

NELLIE WONG

My Two Hearts

Two Tickets Please

Musical Interlude by DEL SOL STRING QUARTET

“a popular tune” by Jungyoon Wie

GENNY LIM

Immigrants

The Only Language She Knows

End of an Era

Musical Interlude by DEL SOL STRING QUARTET

an excerpt from Huang Ruo’s “a dust in time.”

FLO OY WONG

Loy Coy, Come Here

Ai Joong Wah, Great China

THE LAST HOISAN POETS

Oakland Chinatown-born, NELLIE WONG has published four books: Dreams in Harrison Railroad Park, The Death of Long Steam Lady, Stolen Moments and Breakfast Lunch Dinner.  Her poems and essays appear in numerous journals and anthologies.  Two pieces are installed at public sites in San Francisco. She’s co-featured in the documentary film, “Mitsuye and Nellie Asian American Poets,” and among her recognitions, a building at Oakland High School is named after her.  A poem of hers was nominated for the Pushcart Prize. She’s traveled to China in the First American Women Writers Tour with Alice Walker, Tillie Olsen and Paule Marshall, among others.  She’s taught poetry writing at Mills College and in Women Studies at the University of Minnesota.

GENNY LIM is San Francisco Jazz Poet Laureate emeritus, born and raised in San Francisco to immigrant parents from the Kwantung region of Toisan, where an oral culture rich with folklore, natural medicine and healing songs was brought to America. The rhythms and music of the Toisan (Hoisan) language, find harmony of expression in the freedom of contemporary jazz and it is there, where Lim’s voice has flourished. She is author of five poetry collections, Winter Place, Child of War, Paper Gods and Rebels, KRA!, La Morte Del Tempo, and co-author of Island: Poetry and History of Chinese Immigrants on Angel Island, winner of the American Book Award and the forthcoming anthology of Senior Asian American memoirs, Window: Glimpses of Our Storied Past. Lim’s award-winning play, Paper Angels, was the first Asian American play that aired on PBS’s American Playhouse in 1985 and has been produced throughout the U.S., Canada and China. 

At the age of 9, artist/poet/educator FLO OY WONG, a De Anza College alumni, knew that she loved words. A few years later, say 79 years, she has become a poet who uses English and her parents’ native Chinese dialect to show and to tell her collected stories of family and community.  A co-founder of the Asian American Women Artists Association, she has received three National Endowment for the Arts awards. In 2018, Flo celebrated her 80th birthday with the publication of her art & poetry book, Dreaming of Glistening Pomelos. Through her art and poetry she supports those who use their individual and collective voices for social justice. She stands by individuals and organizations who put diversity, equity, and inclusion into practice. As an elder, she connects with younger people who inspire her.

DEL SOL STRING QUARTET

The San Francisco-based DEL SOL STRING QUARTET is a leading force in 21st century chamber music – whether introducing Ben Johnston’s microtonal Americana at the Library of Congress, taking Aeryn Santillan’s gun-violence memorial to the streets of the Mission District, exploring Andean soundscapes with Gabriela Lena Frank and traditional musicians, or collaborating with Huang Ruo and the anonymous poets who carved their words into the walls of the Angel Island Immigration Station during the years of the Chinese Exclusion Act. Our current lineup, featuring Del Sol founder and Artistic Director Charlton Lee on viola, cellist Kathryn Bates and violinists Ben Kreith and Sam Weiser, looks to bring a fresh energy, freedom, and precision to our diverse repertoire. By bringing the string quartet tradition from its European roots into global traditions, including an emphasis on the Asian continent, Del Sol makes contemporary chamber music a dynamic part of today’s culture. https://www.delsolquartet.com/

JING JING YANG, Cupertino Poet Laureate

JING JING YANG is Cupertino’s sixth Poet Laureate. Jing Jing grew up with a love for poetry, listening to her father recite  Chinese classic poetry from the Han, Tang and Song dynasties. Since moving to Cupertino in 2011, Jing Jing has been a part of the City’s poetry community and has enjoyed the programs of previous poet laureates as a creative outlet. Jing Jing aims to help Cupertino become a place where the West meets the East, the past meets the future and its poetic voice be heard around the globe. https://www.cupertino.org/residents/arts-and-culture/cupertino-poet-laureate

GENEVIEVE LEUNG, Associate Professor, University of San Francisco

Genevieve Leung is the academic director of the Asian Pacific Studies MA program and director of the Asian Pacific American Studies minor. She has a BA in linguistics from UC Berkeley and dual MA degrees in linguistics (TESOL) and education (Language and Literacy) from UC Davis. She received her PhD in Educational Linguistics from the University of Pennsylvania. She has taught high school English in Japan, as well as English writing, effective communication, and reading and vocabulary courses at Stanford University. She was the co-instructor of the TESOL Workshop at the University of Pennsylvania, training novice ESL teachers in the fundamentals of TESOL. Genevieve is also very interested in heritage language maintenance, particularly of Chinese Americans of Cantonese and Toisanese/Hoisan-wa language backgrounds. https://www.usfca.edu/faculty/genevieve-leung

PUBLICATIONS

  • Him Mark Lai; Genny Lim; Judy Yung, eds. Island: Poetry and History of Chinese Immigrants on Angel Island. University of Washington Press. June 1999. ISBN 978-0-295-97109-4.
  • Lim, Genny. Winter Place. Kearney St Workshop Press. ISBN 978-0-9609630-4-1.
  • Lim, Genny. Child of War. University of Hawaii Press. January 2003. ISBN 978-0-9709597-3-7.
  • Wong, Flo Oy. Dreaming of Glistening Pomelos. Ling Oy Press. September 2018. ISBN 9781732619807
  • Wong, Nellie. Breakfast Lunch Dinner: Poems. Meridien Press Works, 2012.
  • Wong, Nellie; Merle Woo; Mitsuye Yamada (2003). Three Asian American Writers Speak Out on Feminism. Seattle, Washington: Red Letter Press. ISBN 0-9725403-5-0.
  • Wong, Nellie (editor) (1999). Yolanda Alaniz (co-editor) (ed.). Voices of Color: Reports from the Front Lines of Resistance by Radicals of Color. Seattle, Washington: Red Letter Press. ISBN 0-932323-05-7.
  • Wong, Nellie (1997). Stolen Moments. Goshen, Connecticut: Chicory Blue Press. ISBN 1887344039.
  • Wong, Nellie (1986). The Death of Long Steam Lady. Los Angeles, California: West End Press. ISBN 0-931122-42-2.
  • Wong, Nellie (1977). Dreams in Harrison Railroad Park: Poems. Berkeley, California: Kelsey St. Press. ISBN 0-932716-14-8.

ONLINE RESOURCES

Voices of Resilience: An online exhibition celebrating the Angel Island Immigration Station’s historic poetry and poems submitted by the public; Angel Island Immigration Station Foundation (2020) https://www.aiisf.org/voicesofresilience

artsed4all Uncategorized

“The Last Hoisan Poets” Lunar New Year 2020 at the Oakland Museum

February 21st is International Mother Language Day, which was established to promote linguistic and cultural diversity and multilingualism. The United Nations states, “At least 43% of the estimated 6000 languages spoken in the world are endangered. Only a few hundred languages have genuinely been given a place in education systems and the public domain, and less than a hundred are used in the digital world.”

National Geographic Explorer anthropologist Wade Davis coined the term ethnosphere to describe the sum total of all thoughts and dreams, myths, intuitions and inspirations brought into being by the human imagination since the dawn of consciousness. In his 2003 TED Talk, Wade points out the staggering loss of half of the languages on Earth, “What could be more lonely than to be enveloped in silence, to be the last of your people to speak your language, to have no way to pass on the wisdom of the ancestors or anticipate the promise of the children?”

Thanks to special readings by “The Last Hoisan Poets” – contemporary Chinese American poets Flo Oy Wong, Nellie Wong and Genny Lim – audiences have the opportunity to hear the sounds of the disappearing dialect that was spoken by many of the Chinese immigrants who first came to America. In the first part of the twentieth century, most of the Chinese immigrants came to America from the Pearl River Delta in China’s Guangdong region. The three poets trace their roots to China’s Toishan village, home of the Hoisan-wa (a.k.a. Toisanese/Taishanese) Chinese dialect.

For the 2020 Lunar New Year Celebration at the Oakland Museum, Flo and Nellie conducted a special poetry reading in English and Hoisan-wa to pay homage to their mother language.

Nellie read three poems: Ngoi Leng Gah Thlim, My Two Hearts (1981) (04:04); Poem for My Grandniece, Eva (2019) (12:46); Ode to Rice Crust Soup (2012) (15:39)

Flo opened with a New Year poem: Slin Nin Loy Luh, New Year Comes (2020) (19:26); followed by a poem about the family’s restaurant in Oakland Chinatown, Ai Joong Wah, Great China (2018) (20:12).

With “Song Siew, Two Hands,” (2020) (21:29), a newly written poem dedicated to her father, Gee Seow Hong, Flo invited the audience to follow her lead, as she taught the poem through gesture and call and response. To close the program, Flo and Nellie playfully demonstrated – Ah Jeong Doy, Clap Your Hands (29:11). El Gee Ngneck, Throw the Pig’s Neck (30:30), two traditional nursery rhymes that the sisters learned in childhood, growing up in Oakland Chinatown.

Watch the full Lunar New Year 2020 program by The Last Hoisan Poets: